
Kasey Chambers
"Everybody thought that was a little strange. All my dad's family thought he was crazy," Chambers said. "But because I grew up like that, I thought it was normal." There was a supply train that ran through the Nullarboor, and that was the source of the music tapes that inspired the young girl. Miles from civilization, the young family entertained itself by singing around the campfire. Before long the kids were joining in on songs and making up shows of their own. Eventually the family was playing clubs and pubs to make money. By the time they returned to urban Australia so the children could attend secondary school, making music as a way of life was ingrained, and young Kasey had begun to write songs. "I was listening to a lot of Lucinda Williams when I first started songwriting," said Chambers, "and Nanci Griffith and Steve Earle, those would be my main songwriting influences."
She entered her first songwriting contest when she was 13. "It was just a little songwriting competition down in south Australia," she said. "I went into it with the first song I'd ever written. It was a really, really bad song I don't know how it won," she said. "But my dad also went into the competition, and he came in third place! I haven't let him live that down for a long time," she recalled, laughing.
Her songwriting has improved since. Chambers wrote the 12 cuts on her U.S. debut album, The Captain, raging from the questioning lyrics of the title track to a haunting country soul duet with Buddy Miller, "In the Pines," to the raucous "We're All Gonna Die Someday."
Songs from the Outback
by Kerry Dexter